Antique Prints, Maps, & Books of Natural History, Botanicals, & More
Lot 10:
Description
Included in the lot:
Colossi at Wady Saboua
View from under the Portico of Dayr-El-Medeneh, Thebes
Obelisk of On
Lateral View of the Temple called the Typhonaeum at Dendera
Temple of Wady Kardassy, Nubia
Temple of Wady Dabod, Nubia
Scene on the Nile near Wady Dabod, with Crocodiles
General View of Kalabshee, formerly Tamis, Nubia
Ruins of Erment, Ancient Hermontis, Upper Egypt
Island of Philae, looking down the Nile
Group of Nubians at Wady Kardassy
Fortress of Ibrim, Nubia
Persian Water-Wheel, used for Irrigation in Nubia
The Island of Philae at Sunset
Part of the Hall of Columns at Karnak, seen from without
Description of the work:
David Roberts’ most famous work,
The Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1842 and 1849 (first standard edition). This work is known for its extremely detailed dutone lithographed plates which depict various scenes of the Holy Land and the Middle East.
Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts,
Views in the Holy Land…, is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts’ drawings into the magnificent lithographs seen here.
David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839.
“Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) … “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words, ] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).
Paper Size: ~ 23 1/4" by 17"
Paper Type or Special Features: Folio Duotone Lithograph
Condition report:
The work is in very good to excellent condition overall. The paper is very lightly toned. There may be a few minor imperfections or fox or mottled marks to be expected with age. Please review the image carefully for condition and contact us with any questions.
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